Moral Politics in the Philippines offers an in-depth examination of the political participation and discourse of the urban poor in Manila. After the ousting of Ferdinando Marcos in 1986, society in the Philippines fractured along socioeconomic lines. The educated middle class began to recognize themselves as moral citizens and political participants while condemning the poor as immoral "masses" who earn money illegally and support corrupt leaders. Conversely, the poor believe themselves to be morally upright and criticize the rich as arrogant oppressors. Wataru Kusaka looks at the dangers of this moralization of politics during the last several decades, and he analyzes the damaging effects it has had on democracy by excluding much of society and marginalizing the interests of those most in need of resources.
The contributors in this collection study developments in Malaysia's dominant party, UMNO, on the anniversary of its 70th year. The answers to its future lies in part with a better understanding of its past. Four international academics analyse the contemporary history of UMNO, with a particular focus on changes in the last two decades. They draw attention to issues of party identity, leadership, membership, governance, institutional change, party financing, internal divisions and its relations with different communities and the public at large. Not only does this book fill an important gap in the scholarly research on UMNO, this book offers different perspectives on the party's contemporary challenges.
The recent past has been tumultuous for Malaysia. Malaysia has been rocked by economic uncertainties, political turmoil and allegations of financial scandals. The economy has had to face domestically generated shocks and well as those emanating from external sources. Regional developments have been fast-paced, too. At a micro level, issues such as education and health have generated controversy and they could turn out to be problematic if not handled carefully. These issues, if ignored, could adversely affect Malaysia's economic development. If addressed correctly, Malaysia will move up the ladder of development. The present collection of essays attempts to capture the challenges that Malaysia faces.
Nearly everyone knows that Singapore has one of the most efficient governments and is among the most competitive advanced economies in the world. But can this unique city-state of some 5.5 million residents serve as a model for other advanced economies as well as for the emerging world? Respected East Asia expert Kent Calder provides clear answers to this intriguing question in his new, groundbreaking book. Calder describes Singapore as a laboratory for solutions to problems experienced by urban societies around the world. But there are caveats: the city-state comes in at only "partly free" in the Freedom House democracy rankings and, like many other developed nations, faces growing inequality. Singapore: Smart City, Smart State addresses these deficits while also offering concrete insights and a lucid appreciation of how many of Singapore's answers to near-universal problems can have a much broader relevance, even in very different societies.
Malaysia's sultans have in recent years taken on an increasingly discernible role in the country's political life. However, rather than something new, the rulers' resurgence should be viewed as part of a longer term negotiation over the precise boundaries of their role. The Sultan of Johor, Ibrahim Ismail, is arguably the most visible of the country's rulers at present. While the more ceremonial aspects of his actions are inspired by the pivotal role traditionally played by Malay rulers, the more operational aspects hark back to the colonial era when Johor had a reputation for modern administration, well-developed infrastructure, and a high degree of autonomy. At its core, the Sultan raises questions about Malay leadership, and may revive a long-standing contest between the rulers and the political elite, sometimes referred to as a battle between "princes and politicians".
Zairil Khir Johari offers a quick-witted and focused reflection on some of the most pressing and contentious issues of the day. At the heart of the matter is the bane of Malaysian politics - the ethnic question - from which he explores a range of high profile issues: identity, secularism, federalism and education.
One of Singapore's top diplomats, Bilahari Kausikan was the Institute of Policy Studies' 2015/16 S R Nathan Fellow for the Study of Singapore. This book contains edited versions of the five public IPS-Nathan Lectures he gave between January and May 2016, and highlights of his dialogue with the audience. Kausikan gives a frank and dispassionate assessment of the international environment in the post-Cold War era and the geopolitical uncertainties that have emerged. In particular, he analyses the nature of US-China relations, the broad underlying factors in the South China Sea disputes and ASEAN's attempts to maintain order, and the role that human rights and democracy have played in international relations. He concludes by suggesting what Singapore needs to do to cope with the complexities that lie ahead, in this age without definition.
In addition to celebrating the intellectual tradition of a past generation of Singaporean Malay thinkers, social and cultural activists, this series provides unique insights and perspectives into the lived-experience and collective memories of the Malay community in Singapore. This is the English translation of Isa Kamari's Potret Puisi Melayu Singapura, which features the works of 44 Singapore Malay poets, from the post-independence era to the present, and shows how the historical context, community and the individuality of the poet have given poetry written by Singaporean Malay writers its own distinctive identity.
This collection gathers together eight compelling plays by Checkpoint Theatre's Associate Artist Faith Ng. This includes Normal (2015), a stark look at the education system which played to a sold-out audience, and For Better or for Worse (2013) and wo(men) (2010), critically acclaimed plays which offer unflinching portraits of how families can build up and break down individuals. Shorter plays and collaborations with a diverse range of theatre-makers are featured as well, including You are My Needle, I am Your Thread (2015). Deeply affecting and sensitively crafted, these plays firmly establish Faith Ng as a vital Singapore playwright.
Semi-apes is a story celebrating life and death, homogeneity and diversity, belief and disbelief. It is told from Heera's perspective as she comments on the pursuits of people who surround her, and how they struggle with that against their own psychological make-up. Heera takes us to the darkest corners of Alif's life, the oppression and injustice that she endures; Khosrow uncle's experiences, and his struggle in finding meaning to life; and Layla aunty who is juggled between her psychiatrists and a disloyal husband. But Heera is not only an observer. Like others, she displays her own inconsistencies, her prejudices, and her misgivings. In the end, Semi-apes is about everybody's attempt to be unique and different, to strive to lead better lives, and in the process, by the working of an arbitrary law, succeed and lose at times, and lose and succeed at others.
In early 2016, Resorts World Sentosa hosted ten Singapore poets at the SEA Aquarium, inviting them to write a series of haiku, a popular poetry form rooted in classical Japanese poetry, in response to the exhibits the group visited. The reflections of those poets are recorded in three languages (English, Mandarin, and Japanese) in Equatorial Calm, the first poetry anthology to include these three languages in Singapore's publishing history. Each poet has contributed eight pieces to the anthology, which are accompanied by the artwork of Namiko Takahashi Chan-Lee.
The brave fighters of the Communist Party of Malaya lived hard lives in the jungles, pledging allegiance to the Party above all else. But despite their dedication, many were lost due to a traitor in their midst - one so high-ranking that nobody would have suspected him. Dave Anthony's historical novel follows the developing love of two of the guerrilla fighters; the multiple identities of their Beloved Leader and the uneasy cooperation between the British and the communists against their common enemy. The Red Bicycle tells a fascinating story inspired by the Communist Party of Malaya's most infamous operative. Weaving together fact and fiction, Dave Anthony has produced a compelling historical narrative that spans four South East Asian countries. More importantly, he has provided a window into the lives of Party members by highlighting the personal relationships of his main characters. In so doing, he succeeds in giving them a human face; something conspicuously absent in most other accounts of the Party.
For an arresting mosaic of the great and complex metropolis known as Hong Kong - and an insight into what the people of the city live by and die for - a reader need look no further than the Collected Hong Kong Stories of David T. K. Wong. Wong, a native son of this once British Crown Colony and now Special Administrative Region of China, has drawn upon his own experiences as a journalist, educator, government official and businessman to assemble a range of memorable characters for his tales. They range from barmen to labourers, from jockeys to expatriate bureaucrats, from scholars to tycoons, and each is infused with insights into the collective soul of the edgy, anomalous and perplexing place he finds himself. These 18 stories are carefully crafted in the grand tradition of O. Henry, Maugham and Saki. Each has been individually published in a magazine or broadcast over radio in Britain, the United States, Hong Kong or elsewhere. They can be dipped into and savoured separately or feasted upon all in one go. Either way, the result can only be satisfying.
Furrie and Shortie - Issue #1 : To be the most wonderful you, is about these 2 characters - one's shortcoming is being furry (therefore, not too good for weather in Singapore), while the other too short in the world in love with everything big and tall. Furrie is usually the pessimistic one, while Shortie became the ultimate optimist. They are old skool comic oddballs who stick out a little from everyone else. That's why Furrie in one chapter has an identity crisis and wanders into the jungle! And in another, they encounter some troubling behaviors in society today, and in their own small and hopefully funny ways, they act - for good! One thing for sure, we wanted people who read our book to believe that life - no matter how dark - can still get better if you allow yourself to be the most wonderful you. The book has very few text and is dual language.
Cheah Hwei-Fe'n examines parallel techniques of embroidery, work with gold thread, lace, and drawn needlework in this profusely illustrated catalogue to accompany an exhibition at the Peranakan Museum, Singapore, held from 24 June 2016 to 18 June 2017. In her careful analysis of the techniques associated with Peranakan objects, she reveals a complex network of cultural connections. The various types of needlework were practised by women and men, and drew upon techniques from Europe, India, China, and the Malay world. Religious and secular schools taught the techniques. There are many cross-cultural surprises within: gold embroidery derives not only from European military brocade but from ancient Chinese thread techniques of gold strips wrapped around paper. And many other techniques were long practised in remote islands of the Malay Archipelago.
Chen Chong Swee is acknowledged as one of the earliest artists to have explored depicting Southeast Asian scenes within the medium of traditional Chinese ink painting. Published on the occasion of a retrospective exhibition at National Gallery Singapore, this catalogue bears witness to Chen's explorations across the mediums of ink and oil, the influence his immediate surroundings had on his art, and his insistence, above all, that it was impossible to divorce art from life. Full-colour image plates, newly commissioned essays and a biographical timeline of the artist within the catalogue flesh out the inflections of Chen's oeuvre.
The Xiu Hai Lou Collection is one of the most extensive private collections of ink art in Singapore. This catalogue is published in conjunction with the exhibition Rediscovering Treasures: Ink Art from the Xiu Hai Lou Collection, and captures the stunning breadth of the Collection. Full-colour image plates showcase works which range from the ancient aesthetics of Ming and Qing painting and calligraphy through to the prized masterpieces of 20th-century ink masters, while newly commissioned essays analyse the unique place of the Collection in local art history. Rounding out the catalogue are an exclusive interview with the current custodians of the Collection as well as an exploration of the ecosystem of collecting.
Significant achievements in art notwithstanding, Chen Chong Swee was also a prolific, vivid essayist. His writings-collated here and also translated into English for the first time-range from the value of art education to the responsibilities of the art community, and are imbued with ardour and vigorous clarity. This compilation provides a compelling contribution to our understanding of the artist as a man of unwavering focus, whose thoughts cleaved to the advancement of art.
Tan Swie Hian is the top-grossing living artist in Southeast Asia. Since his first exhibition in 1973 in Singapore, he has been spectacularly prolific. His works have extended to multiple mediums, genres, languages and subject matter. The quadrilingual artist has published 58 works of poetry, prose, stories, songs, criticism, translations, and artworks. In his 2016 exhibition with the National Library Board, Singapore, the paradoxical and sometimes controversial artist offers a gift to his detractors and supporters alike - an insight into his mind. Tan's notebooks take center stage in the exhibition. The collection, never before seen by outsiders, illustrates his deliberations, quotes, discoveries, drawings, and sketches that preceded his artistic creations. The notebooks and creations unveil his openness and his way of accessing multiple realities.
Organised by National Gallery Singapore in association with Tate Britain, Artist and Empire: (En)countering Colonial Legacies critically examines the effects of the British Empire through the prism of art. This catalogue accompanying the exhibition underscores the thought-provoking ways in which artist and Empire each affect the other-artists negotiating historical conditions of colonialism in their work, visual representation altering perceptions of the Empire. Essays by exhibition curators and external scholars situate the concept of Empire within broader socio-political discourse, while selected key artworks from the exhibition are paired with curatorial text that illumines concerns underpinning the works. A comprehensive, pull-out timeline spanning the 16th to 20th centuries charts the scope of activities undertaken in the name of the Empire, and contextualises the pursuits of artists from former colonies.
From November 2016 to August 2017, Vietnamese-born Danish artist Danh Vo presents a series of compelling new sculptures at National Gallery Singapore as part of his first outdoor installation in Singapore. Vo's work often draws upon personal experience to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the 20th century. A continuation of his existing practice, this installation explores issues of cross-cultural identity and the definition of cultural values. This is the inaugural exhibition of the Ng Teng Fong Roof Garden Commission series, which invites leading international artists to create site-specific installations at the Ng Teng Fong Roof Garden Gallery, made possible by a gift from the family of Ng Teng Fong. Published to accompany this exhibition, this catalogue delves deeper into Danh's practice and broader discussions surrounding cross-cultural identity through essays by leading scholar Professor Nora Taylor and National Gallery Singapore curator Charmaine Toh alongside full-colour images of the commissioned work.
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia.
This third volume of the Narratives in Malaysian Art series, Infrastructures , examines the development of the structures that support art and art appreciation in Malaysia. Capturing some of the history of the art scene as it has grown over the decades, it also looks at the state of our infrastructure today, mapping the key areas of art institutions, artist-run initiatives, the art market, art education, and art writing and publication. In this volume, many voices come together to share their experiences and the challenges of working towards a healthy and vibrant Malaysian art scene, and their concerns and hopes for its future. Documenting roundtable sessions and conversations among art scene stakeholders, the volume also includes interviews, selected articles, commentary, maps, surveys and other data, providing valuable information and perspectives for cultural policy-makers and all who have a share and interest in Malaysia's cultural life.
Recent studies of intra-Asian trade and Buddhist networks have brought fresh perspectives to the understanding of the pre-modern interaction between South and Southeast Asia. Through centuries of selective adaptation and localization of intellectual, cultural, aesthetic, and economic exchanges Buddhist art in Asia has continued to thrive. Fresh research and archaeological data help locate centres of exchange which catalysed the process of localization. This collection of essays, based on a conference held in conjunction with On the Nalanda Trail: Buddhism in India, China and Southeast Asia, an exhibition organized by the Asian Civilisations Museum in Singapore, is a re-exploration of Buddhist art, archaeology, and epigraphy. Focussing on ancient monastic centres and temples such as Nalanda, Mainamati, Kizil, Kedah, Dulesi, and Longxingsi Dabeige, papers in this volume offer newer perspectives on aspects of text-image-inscription correlation. This volume is an attempt at interdisciplinary study of cross-cultural trails that lead to localized Buddhist practice patterns and artistic diversities.
Treasures from the national museums of Myanmar, from the World Heritage Site at Pyu, the pagoda-studded plains of Bagan, and from Mandalay, the last royal capital, are examined in this profusely illustrated catalogue. Essays cover the principal archaeological sites of Pyu, Mon, Bagan, Inwa, Shan State, and Mandalay.
Iskandar Jalil is celebrated as one of Southeast Asia's most prominent ceramicists. Known for his high level of discipline, tenacity and dedication, this Colombo Plan scholar is a recipient of multiple accolades including the Cultural Medallion and the prestigious Order of the Rising Sun, Gold Rays with Rosette for his outstanding achievement in visual arts. Published on the occasion of a retrospective exhibition at National Gallery Singapore, this catalogue illuminates Iskandar Jalil's enduring relationship with clay, his journey to become a master in his craft and the pivotal role he plays in expanding the practice of ceramics.
This fascinating look at the Sigg and M+ Sigg Collections, one of the largest, most comprehensive and important collection of contemporary Chinese art in the world, provides the perfect springboard to explore the role of cultural identity in today's global art world. Spanning forty years and bringing together works by artists such as Ai Weiwei, Cao Fei, and Fang Lijun, this volume follows the development of contemporary art in China in the new millennium. This groundbreaking volume unfolds a new panorama of Chinese art and assesses how attitudes toward Chinese contemporary art have evolved.
"Baba", "Nonya", "Peranakan" and "Straits Chinese" are terms that refer to the descendants of Chinese traders who settled in Southeast Asia centuries ago, and assimilated aspects of indigenous Malay culture into Chinese culture. Built between 1896 and 1897, the NUS Baba House was the ancestral home of the Wee family, who are part of the Straits Chinese community in Singapore. The building is now a museum that replicates the unique experience of a visit to a 1928 Peranakan home, featuring a range of beautiful and distinctive furniture, architectural decorations, ceramics and other household objects cherished by the Straits Chinese. NUS Baba House: Architecture and Artefacts of a Straits Chinese Home is an illustrated guide for visitors as well as a useful reference for people interested in the social history of Southeast Asia. Accompanied by detailed photography and carefully researched explanations of the symbolism behind the objects and ornamental motifs in the house, this guide is designed to provide an exclusive view into the colourful domestic lifestyle of the Straits Chinese people.
The Singapore House is not just a building; it is a cultural phenomenon. Culture means ordinary everyday values?attitudes, beliefs, ideas and heritage. These apply to the cultural landscape of which the house forms a part and is particularly applicable to a fast-growing metropolis like Singapore that has changed immeasurably in recent years. This newly presented edition of The Singapore House & Residential Life 1819-1939 addresses the houses unique nature in the context of its colonial past. Architecture, the house plan, landscape, societal norms, recreation and more are presented in a book where the past resonates on every page.
On 24 Jan 1816, the captured king of Kandy was escorted on board the Cornwallis together with his queens, relatives and servants. Almost a month later, King Sri Vikrama Rajasinha arrives at the Vellore Fort in India, to spend his remaining days in exile. Thus ends the tragic tale of the Doomed King of Lanka. Using Kadaimpot, vittipot and documents from English servicemen, Gananath Obeysekere reveals a portrait of a king who was much maligned and betrayed by those he trusted. The Doomed King makes for fascinating reading where a master spy, a Machiavellian governor and an opportunistic nobleman together, bring about the fall of the Kandyan Kingdom.
Until the mid-1950s nearly all of the sea between the far-flung islands of the Indonesian archipelago was open to ships of all nations, but in 1957, the Indonesian government declared that it had absolute sovereignty over all the waters lying within straight baselines drawn between the outermost islands of Indonesia. In this single step, Indonesia made its lands and seas a unified entity for the first time, a claim formally recognized in 1982 by the United Nations Convention on the Law of the Sea. Sovereignty and the Sea explores how Indonesia succeeded in its extraordinary claim despite its low international profile. John G. Butcher and R. E. Elson reveal that at the heart of Indonesia's archipelagic campaign was a small group of Indonesian diplomats whose dogged persistence, negotiating skills, and willingness to make difficult compromises resulted in Indonesia becoming the greatest archipelagic state in the world.
The British military failure against the Japanese invasion of Singapore in 1942 is a well-documented and closely examined episode. But far less attention has been paid to the role of the colonial governor and his staff during this period, an oversight Ronald McCrum corrects with this insightful history. As McCrum shows, the failure of the civil authorities in conjunction with the military to fully prepare the country for the possibility of war was a key factor in the defeat. McCrum closely examines the role and responsibilities of the colonial authorities before and during the war. He argues that the poor and occasionally hostile relations that developed between the local government and the British military hierarchy prevented the development and implementation of a strategic and unified plan of defense against the growing threat of the Japanese. Consequently, this indecisive and ineffective leadership led to significant losses and civilian casualties that could have been prevented.
Connections: History and Architecture, City Hall and Supreme Court takes a look at two of Singapore's most prominent National Monuments. The histories of the buildings, their architecture as well as their transformation are presented in three parts. The first part is History and Architecture: These two Monuments had been designed to reflect the aspirations of the Singapore colony and have witnessed pivotal events in Singapore's evolution from a colony to an independent republic. The second part is Dreams and Visions. A photographer's interpretation of the buildings' histories and architectural elements, presented through surrealistic images that invite the imagination of readers and inject a fresh breath of inspiration to the buildings. The third part is Restoration and Preservation. The buildings' restoration and transformation into an art gallery are documented in this essay contributed by Jean Fran?ois Milou and studioMilou Singapore, the architectural firm responsible for this monumental effort.
Port Cities perfectly encapsulate a fundamental human and cultural process that has existed since time immemorial - the constant mixing of things together. Such places, and the powerful cultural dynamics that took place within and between them, reflect how people, ideas, and objects circulate, and how culture is formed, spread, and shared. Four essays and a catalogue section of stunning objects make up with profusely illustrated book to accompany the exhibition at the Asian Civilisations Museum from 4 November 2016 to 19 February 2017.
Comintern (Communist International, 1919-1943) files kept in a Russian Archive were opened to the public in 1991. Various documents relating to the Malayan Communist Party (MCP) were contained therein. Relying on these documents, this research reveals many important and hitherto unknown facts. Consulting with previous works done by C.F. Yong, Cheah Boon Kheng and others, we can identify the extent to which the British colonial Special Branch intercepted them. The inaugural congress of the MCP, which initially depended heavily on the Comintern's instructions, was held on 22-23 April and 21 May 1930. Consistent pivotal points of the instructions were to refrain from armed insurgency and to make every effort to obtain the support of Malays and Indians. Although instructions were stopped after 1935, the MCP continued sending reports until the Pacific War started. These reports depict its internal disputes between the left wing and the right wing, which is supposed to have been headed by Lai Teck. Without instructions from the Comintern, the MCP further strengthened its influence among the people through labour as well as anti-Japanese movements.
This publication looks at the National Museum's transformation over the years, with a focus on its history, collection and building. Through photos from the museum's collection and intriguing lesser-known stories, the book provides a refreshing take on the oldest purpose-built museum in Singapore and celebrates its special role in the nation's cultural and heritage scene.
This book explores a cross-section of war crimes trials that the Allied powers held against the Japanese in the aftermath of World War II. More than 2,240 trials against some 5,700 suspected war criminals were carried out at 51 separate locations across the Asia Pacific region. This book analyzes fourteen high-profile American, Australian, British, and Philippine trials, including the two subsequent proceedings at Tokyo and the Yamashita trial. By delving into a large body of hitherto underutilized oral and documentary history of the war as contained in the trial records, Yuma Totani illuminates diverse firsthand accounts of the war that were offered by former Japanese and Allied combatants, prisoners of war, and the civilian population. Furthermore, the author makes a systematic inquiry into select trials to shed light on a highly complex - and at times contradictory - legal and jurisprudential legacy of Allied war crimes prosecutions.
Cornelis Matelieff de Jonge (c.1570?1632) was admiral of the Dutch East India Company when it sailed to Asia in 1605 and besieged Portuguese Melaka in 1606 with the help of Malay allies. A massive Portuguese armada then arrived from Goa to fight the Dutch and succeeded in breaking the siege on the Portuguese colony. Throughout this time, Matelieff penned a series of letters in which he provided a candid assessment of trading opportunities and politics in Asia. Admiral Matelieff's Singapore and Johor offers an edited selection of Matelieff's most important writings from this period, focusing on his experience and interest in Singapore and the Straits of Melaka. The rediscovery of Matelieff's writings have helped to reshape the way local history is taught and understood in Singapore and Malaysia, and this collection will be essential to scholars of the region.
Although the term "port city" has fallen out of favour, there are good reasons why it should be revived. Ports are reclaiming their role in the life of the city. A comparative study of some of Asia's port cities - Singapore, Hong Kong, Shanghai, Tianjin, Tokyo, Jakarta and Johor Bahru (PTP) - demonstrate a complex, dynamic and symbiotic relationship between these ports and their cities. Port city form is dynamic and ever-changing. Twenty-first century Asian ports have expanded, constantly adapting to new technology, rapid growth trajectories, and the forces of globalization. Ports have shifted, moving from space adjacent to the city centre to the periphery. This, in turn, allows for the expansion of the waterfront, which is once more a focal point for people-oriented activities and displays. The vibrancy of the city centre is reflected in the exuberance of the high-rise buildings, plazas, malls and public spaces. Ports retain their traditional hinterlands, but for many, the hinterland has expanded to embrace the globe. The essence of twenty-first century Asian port city form is the uniting of land and water worlds.
Ageing is not all grey. This book explores the minds of a generation who survived the Second World War and witnessed the dramatic rise of Singapore from third world to first. The 30 years of research on the mental health of the Singapore elderly is a tapestry of myriad colours of people from different ethnicities, cultures and social hierarchies. This book documents the social transformation of medical research, from epidemiological surveys to interventional studies of translational relevance, with the tagline "preventive medicine in the community by the community for the community". This book, a distillate of five epidemiological studies, is written from a longitudinal perspective, viewed through the lens of time by a doctor who conducted the research with his team. It will interest not only health professionals and policy makers but also the elderly, family caregivers and young people - just about everyone!
Using Thailand as a case study, Ross King examines the role of place in the formation of identity through memory. Employing the idea of French historian Pierre Nora that because we no longer live in environments of memory-places where the past is still vividly alive-we compensate by attaching ourselves to sites of memory, King explores whether Thailand offers an alternative vision, a place where modernity and heritage coexist. He looks closely at the myths of ancient Thai cities, the remaining royal palaces, historical monuments, small towns and villages, and the proliferating slums of Bangkok in order to create a unique and nuanced perspective of contemporary Thailand and its many ideas of Thai identity.
The Mekong Program on Water, Environment and Resilience (M-POWER) is a network of organizations and individuals collaborating to democratize water governance in the Mekong Region. Since 2006, M-POWER has developed and implemented a wide range of activities across Cambodia, southern China, Laos, Myanmar, Thailand and Vietnam. This final book in the series of books examining the work and achievements of the network brings us full circle. A decade on, it is far from obvious that the promises of democratization and improved public accountability are inevitable. The need for multi-disciplinary scholarship and constructive contestation remains.
Communicating with Asia brings together an international team of leading researchers to discuss South, South-East, East and Central Asia, and explore Mandarin, Cantonese, Hindi-Urdu, Malay, and Russian as major languages. The volume locates English inside a number of national, regional or lingua franca contexts and illustrates the way it develops in such contact situations. Local dynamics affecting languages in contact and cultural links of languages are dealt with, such as educational-political issues and tensions between conflicting norms. In today's global world, where the continent is an increasing area of focus, it is vital to explore what it means to 'understand' Asian cultures through English and other languages. This important new study will be of interest to students and researchers working in the fields of regional studies, English as a global language, Asian languages and cultural studies.
In the 1920s and 1930s, the port-cities of Southeast Asia were staging grounds for diverse groups of ordinary citizens to experiment with modernity, as a rising Japan and American capitalism challenged the predominance of European empires after the First World War. Both migrants and locals played a pivotal role in shaping civic culture. Moving away from a nationalist reading of the period, Su Lin Lewis explores layers of cross-cultural interaction in various spheres: the urban built environment, civic associations, print media, education, popular culture and the emergence of the modern woman. While the book focuses on Penang, Rangoon and Bangkok - three cities born amidst British expansion to the region - it explores connected experiences across Asia and in Asian intellectual enclaves in Europe. Cosmopolitan sensibilities were severely tested in the era of post-colonial nationalism, but are undergoing a resurgence in Southeast Asia's civil society and creative class today.
This book offers insight into the Singapore Eurasian community, one of Singapore's minority communities. This book is the definitive record of Eurasian history and heritage in Singapore, and serves to educate the younger generation of Eurasians about their roots, the community's achievements and its collective hopes and dreams for the future, as well as provide a useful resource for others to learn more about the Eurasian community. In addition, it also covers the growth and developments of the Eurasian community within the last 25 years, and how the Eurasian Association, as a Self-Help Group since 1994, has been helping the less fortunate through its programmes, as well as being the main force in driving the preservation and sharing of the Eurasian culture for its future generations.
This book challenges the perception of Japan as a 'copying culture' through a series of detailed ethnographic and historical case studies. It addresses a question about why the West has had such a fascination for the adeptness with which the Japanese apparently assimilate all things foreign and at the same time such a fear of their skill at artificially remaking and automating the world around them. Countering the idea of a Japan that deviously or ingenuously copies others, it elucidates the history of creative exchanges with the outside world and the particular myths, philosophies and concepts which are emblematic of the origins and originality of copying in Japan. The volume demonstrates the diversity and creativity of copying in the Japanese context through the translation of a series of otherwise loosely related ideas and concepts into objects, images, texts and practices of reproduction, which include: shamanic theatre, puppetry, tea utensils, Kyoto town houses, architectural models, genres of painting, calligraphy, and poetry, 'sample' food displays, and the fashion and car industries.
Zi char (a Hokkien term, literally translated "cook fry") is widely recognised in Singapore to refer to a variety of dishes that one can order from any Chinese cooked food (zi char) stall in coffee shops across the island. In continuing their efforts to inspire others to have fun whipping up their own meals, the MeatMen share 30 popular zi char dishes including crab bee hoon, san lou hor fun, cereal prawns, har cheong gai and sambal kangkong in this second cookbook. All dishes are prepared in their usual effortless style that requires no fancy tools, equipment or special skills, and come with the promise that anyone with a passion for good food and cooking can be a zi char expert at home!
Thai cuisine is famed for the complexity and delicacy of its flavours, largely the result of the herbs and spices used. Surprisingly, only thirty or so are needed. It is the ingenious combination of these ingredients that makes Thai food so distinctive. At the same time that these herbs and spices add flavor and fragrance, they bring natural curative properties that have been recognized for their efficacy in traditional practice through the ages. Each herb or spice in this book is described in terms of its botanical characteristics, its culinary and medicinal uses (and other notable applications), and how it should be handled and stored to best preserve its qualities. In addition, a selection of classic recipes shows how the various ingredients are brought together harmoniously in authentic Thai fare.
Singapore English is a focal point across the many subfields of linguistics, as its semantic, syntactic and phonetic/phonological qualities tell us a great deal about what happens when very different types of language come together. Sociolinguists are also interested in the relative status of Singapore English compared to other languages in the country. This book charts the history of Singapore English and explores the linguistic, historical and social factors that have influenced the variety as it is spoken today. It identifies novel grammatical features of the language, discusses their structure and function, and traces their origins to the local languages of Singapore. It places grammatical system and usage at the core of analysis, and shows that introspective and corpus data are complementary. This study will be of interest to scholars and advanced students working on language contact, world varieties of English, historical linguistics and sociolinguistics.
Examining developments in the first decade of the twenty-first century, this authoritative collection of essays studies the evolving practice of constitutional law and constitutionalism in Asia. It provides a comprehensive overview of the diverse constitutional issues and developments in sixteen East, Southeast and South Asian countries. It also discusses the types of constitutionalism that exist and the general trends in constitutional developments whilst offering comparative, historical and analytical perspectives on Asian constitutionalism. Written by leading scholars in the field, this book will be of great interest to students and scholars alike.
The Encyclopedia, the first of its kind, introduces Confucianism as a whole, with 1,235 entries giving full information on its history, doctrines, schools, rituals, sacred places and terminology, and on the adaptation, transformation and new thinking taking place in China and other Eastern Asian countries. An indispensable source for further study and research for students and scholars.
This volume advocates a trans-regional, and maritime-focused, approach to studying the genesis, development and circulation of Esoteric (or Tantric) Buddhism across Maritime Asia from the seventh to the thirteenth centuries AD. The book lays emphasis on the mobile networks of human agents ('Masters'), textual sources ('Texts') and images ('Icons') through which Esoteric Buddhist traditions spread. Capitalising on recent research and making use of both disciplinary and area-focused perspectives, this book highlights the role played by Esoteric Buddhist maritime networks in shaping intra-Asian connectivity. In doing so, it reveals the limits of a historiography that is premised on land-based transmission of Buddhism from a South Asian 'homeland', and advances an alternative historical narrative that overturns the popular perception regarding Southeast Asia as a 'periphery' that passively received overseas influences.
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