The Cliff Richard and the Shadows concert in November 1961 opened the floodgates for Singapore pop music. It and subsequent pop music developments made for a very exciting pop scene in Singapore as there were releases to look forward to every week from EMI, Philips, Decca and other record companies, including local labels. With shows almost nightly and tea dances to welcome the week it was pop heaven. This book examines why it was so. Individual profiles of the bigger acts study their careers in details and trends like rhythm and blues, the blues movement and pyschedelia are examined. The attitudes of officialdom to this phenomenon in Singapore as well as other factors like the infrastructure that helped the sixties pop music movement are also discussed.